Instead of Israel, FoxTrot

Some of you may know that I recently got back from a two-week trip to Israel. It was pretty incredible. It’s a beautiful place with a really complicated, inspiring, difficult, sad, hopeful history and people and politics.

I would love to write about it.

But I left my journal in a hotel outside of Tel Aviv, and I’m having trouble putting together everything I feel and thought.

So I’ll write about it later.

Instead, I want to show you all a graphing project I did in 9th grade for Mrs. Rose’s geometry class. The assignment was to make a picture using certain types of graphs (e.g. parabolic curves, exponential curves, sine curves, etc). Most students made fairly simple pictures of sailboats and rainbows. My inspiration, however, was from my second-favorite comic strip of all time*: Bill Amend’s FoxTrot.

Enjoy.

Paige and Quincy

 

For the equations, click here and here.

 

*EDIT: It’s very close, but Calvin and Hobbes is how I fell in love with reading comics in the first place. In other words, I wouldn’t have ever started reading FoxTrot if I hadn’t discovered Calvin.

 

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Stoner

The following is from a book I just finished. It was a very good book by a man named John Williams. It made me think about Life and Happiness and Loneliness.

In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves first is not the person one loves last, and that love is not an end but a process through which one person attempts to know another.

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Dear Mr. Aronofsky

I’m performing with my theater company in the Philadelphia Fringe Festival for the next couple weekends. This means I’m spending a lot of time at my parents house. Part of last week was shrouded in darkness because a large tropical storm blew through the east coast and knocked down a bunch of trees in Philadelphia’s western suburbs.

I should mention – while the house in which my parents live is the same one we all moved into in 1988, it is not the house in which I grew up. My dad, the architect, had been planning a complete home makeover since my sister and I were in diapers. Said complete home makeover began the minute I went to college. While it is still a work-in-progress (and probably always will be, since it is my dad, the architect’s own personal work of art, and he’ll continue tinkering until we run out of money or time or whatever), it is beautiful and bigger and it has so many light switches whose purposes I’ll never memorize and the garden, oh MAN, the garden.

It’s a really nice house.

A few months ago, my mom texted me “We did something today that could have been emotional but it wasn’t emotional.” Apparently, they threw out all my furniture and old posters and gave away all my old clothes and re-painted and re-carpeted my room. It’s almost cliché how guest room-y it is now, containing none of the personality that made it mine when I occupied it.

All this is to say, there is an abundance of treasures from my past hiding in this house. In shoeboxes buried in closets, in plastic bins in the basement, and in weird, untitled folders on the old computer. Exploring is a new fun thing I can do whenever I get home, and I can’t wait to see what embarrassing childhood artifacts I find from my pre-college years.

This post is the first of hopefully many.

Below is a letter I wrote (but never got around to sending) to Mr. Darren Aronofsky. I’m 16 years old and writing him a fan letter because at the time, he is my favorite filmmaker. It is quite effusive and quite embarrassing. And now, for the first time ever, it is being made public.

Enjoy.

 

Dear Mr. Aronofsky,

My name is Max Reuben and, at the age of 16 years old, I happen to be an aspiring filmmaker, mainly thanks to you.  It was in 1999 that I first saw π, and instantly fell in love with every aspect of it.  It was the kind of movie that made me want to grab a camera and get my friends together and write a story and produce something great.  It made me want to do what you do for a living.  Ever since I’ve seen that movie, there has been no doubt in my mind that your work will always yield the finest films on the market.

Of course, I am fond of other films and filmmakers.  I love Charlie Kaufman and Spike Jonze.  I love P.T. Anderson, Wes Anderson, and Kevin Smith.  I loved Richard Linklater’s Waking Life, but have yet to see SLACKER.  But if you were to ask my friends who I most admire in the industry, your name will be the first to come up.  Sorry if I make you blush.  I’m not a crazy psycho stalker fan who calls you late at night and breathes heavily into the phone, I promise.  I just feel you should know that your movies, your work, your everything has really affected me.  And I guess if that’s what you set out to do – if you meant to reach out and touch an audience…then you’ve accomplished it.

I didn’t realize how much you’ve influenced me until very recently, when a friend and I made a short movie called Life After Monday.  After editing, we realized the final product was very heavily Aronofsky-esque.  Not so much in story, but in the style of filming.  We used distorted speeds, montages, and a killer soundtrack.  We had made movies prior to this one, but Monday was the first one with an actual plot.  I went back and looked at a coca-cola commercial we made while goofing around and realized that even that short film was heavily influenced by the scenes of Requiem.  It was then that I had the urge to write this letter.  I have them both on a DVD, and if you give me permission, I’d be honored to send them to you.  (That’d be SO COOL!)

As I have been following your career for a long time, I have a few questions whose answers would be greatly appreciated if you are not too busy.  I was greatly anticipating your movie, The Fountain, mainly because I read an early review of the script online, and it gave me goosebumps, and also it was said to feature a favorite actor – Brad Pitt.  But now, as I have read with much melancholy, he has pulled out to do a more lucrative picture.  Will this movie ever get off the ground?  If so, who will replace Mr. Pitt?  Also, I would love to know if what I have read about you directing a movie called Flicker is true, and if so, can you give me any details?  I am also curious to know your favorite actors, directors, movies, music, writers and books, etc.  Like the characters in Nick Hornby’s High Fidelity, I often find myself making lists.  Favorite writers, bands, actors…  I would like to hear about some of your favorites.  Keith Haring?  Kurt Vonnegut?  The Red Hot Chili Peppers?  I assure you this information would be greatly appreciated!  I anxiously await a response, any response, really.  Just let me know that you have read this and understand how great an artist you really are.

Respectfully,

Max Reuben

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Flash Mob!

Two nights ago, I participated in a flash mob in the West Village.

Here’s what happened:

A man named Gary wanted to throw an amazing surprise party for his fiancee Sarah’s 30th birthday. He got in touch with Fresh Ground Pepper, a theater company I often work with. FGP got in touch with me, as well as about 30 other friends to put the thing together.

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The Middle of the Beginning

The other night, while waiting for the B train to whoosh me off to Manhattan, I saw two human beings decide to end their relationship. Well, that’s not necessarily true. I saw at least one human being decide to end his or her relationship with his or her partner. And then I saw the relationship end.

Here is what it looked like:

Man and Woman wait for the train toward the end of the platform. They aren’t speaking. The distinct feeling is that they had been speaking, but now the speaking is over because they have said everything and there are no words left. Man has dark hair and holds his phone in his right hand. He doesn’t use it. He’s just holding it. Woman is blonde. She is leaning against a column. Her back is to me. It isn’t until we get on the train that I see that she has been crying. Her mascara has run down her cheeks and dried in the way that happens in movies when the Lead Actress has been crying.

The sit next to each other, but stare straight ahead. They are directly across from me. After a moment, new tears start falling down Woman’s face and I’m moved by the fact that she lets them fall without embarrassment or shame. It’s clear that Man wants to comfort her, but all he does is sort of slide closer to her so that their legs are touching. He does not put his arm around her. He does not look at her.

Before the train gets to its first stop, she turns her face 3/4ths toward his and mumbles something. There is a pause before he reaches into his bag and hands her a set of house keys. Two minutes later, the train stops, the doors open, and Woman exits. I watch Man watch Woman glide up the stairs from the platform and disappear. Then I watch Man take out his phone and start playing Angry Birds. He catches my eye, and I look at my shoes.

I’ve been thinking a lot this summer about Timing. And Missed Opportunities. And Life Passing Me By.

I saw a “theatrical music concert” last night where, at one point, we were instructed to close our eyes and picture a room filled with everyone we’ve ever loved. And I did. And it was nice to see some of those people again, and with some of them I felt sad and embarrassed about the last time we spoke and how I was maybe a jerk or at the very least immature, and for the most part I felt regret.

Regret means, “If I had the choice to do this thing again, I would make different choices because the choices I made originally were bad choices that make me feel awful now, in the present.” Regret means you learned. Regret means you have become more mature.

In Miranda July’s new movie, The Future, an old man is so in love with his wife of sixty years that he writes fifteen unique limericks on every major holiday. But he says the hardest part of the relationship is the beginning. He says that maybe one person will do something terrible and it will seem like you could never forgive them and that’s the hardest part. When Jason says that he and his girlfriend of four years have never had those problems, the man responds, “Well, the thing is, you’re just in the middle of the beginning right now.”

I sometimes think of people as vines on the side of a house. And how we’re always growing, all of us, at the same time. And sometimes two people will grow together and become intertwined and how nice it is when that happens. And then sometimes, they’ll grow apart. And that’s often a bummer.

It’s hard to remember that even after the end of a relationship, that other person is still growing and changing. And sometimes I wonder if it’s fair that, when relationships end, we blame a person who no longer exists. Sometimes I wonder if it’s fair that I blame a 15-year old version of a 24-year old girl for breaking my 15-year old’s heart back in high school.

A lot of things can happen when the terms are Forever. And in a hundred years, most of the people who are alive right now won’t be alive, and so maybe I should forgive that 15-year old girl who broke my 15-year old heart.

And who knows. Maybe that Man and Woman from the subway will figure it out. Because if anything was clear, they’re only in the middle of the beginning. Anything can happen.

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Back to Work

I returned from the lake house on Thursday afternoon to a steaming-hot city and a renewed sense of “getting to work.”

Right now, the floor of my room is actually hot. Like sand-on-the-beach-in-the-sun hot. And I am working on several websites at once and I’m sweating. But in the words of Biggie Smalls, “It’s all good, baby baby.”

I want to show you guys a preview of the kind of changes I’m making to one of the first sites I’ve ever designed, www.RebeccaLaChance.com.

Here’s the site as it is now:

Before

It’s not bad, per se. I was very proud of it when I first put it up. It represents the first time I was ever able to design a fully functional, dynamic website in WordPress and I think it looks pretty good. But in the year or so since I’ve uploaded it, I’ve become a much more able designer. I’m just capable of more elegance now. Also, the coding was SLOPPY because I didn’t really know what I was doing.

At the lake house, I decided to finally take another stab at the site. This is something I’ve been talking to Rebecca about doing for a while, and now I finally had the time and the gumption.

A week later, here’s a preview of the coming redesign. It’s just as simple, but there are a few small tweaks that I think just make it look more professional. Take a look:

AfterAs you can see, I’ve made the white-background content portion go all the way from the top to the bottom of the window, I’ve added a shadow effect to the sides to make it pop a little bit, and I’ve added a simple linen texture to the background. Also, I’ve tweaked the menu bar section to be a little more stylish. The font has been changed just slightly, also (to a Baskerville-type style, in case any of you are obsessed with fonts like I am).

Check back here or at Rebecca’s site soon to see the fully-functional new site. We’re both very excited about it.

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The Lake House

For the past few days, I’ve been at a friend’s lake house in upstate New York. The four of us first went up a couple years ago as a writing retreat. We would sit alone by the lake or on the porch and work on our various projects in the morning, break for lunch, maybe take a swim or play scrabble, and then get back to work until dinner. After dinner, we’d share our progress, eat ice cream, and maybe watch a movie before heading back to bed.

All in all, it was an extremely productive weekend. And while a couple of us couldn’t make it back last summer for various reasons (meaning this is only the second time in three years that the original crew is here together), it feels like something of an annual tradition. It is so good to be back.

This year, I’m splitting my time in half. I spend the mornings on web design and the evenings trying to make strides in Trojans. I admit that work in the former has come more easily than the latter, but even so it’s been a wonderful sojourn so far.

Yesterday, we went kayaking on the lake before eating a hundred pounds of potato casserole. What more could you want? (Besides leftovers…)

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It’s finally here!

Well, it took me a hundred years but I finally finally finally got this website off the ground. The redesign looks great. All the dynamic back-end stuff makes updating much easier. And I’m really happy with the way things are organized.

There will be a couple tweaks here and there in the coming weeks, but for the most part this is it, folks.

Let me know what you think! And PLEASE, if you notice anything screwy (especially on your mobile devices) let me know ASAP and I’ll try and get it fixed. I’m looking at you, dinosaurs who still use Internet Explorer!

Oh, also, now I can blog more. See you soon.

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New Years Resolutions

I may be depressed. Or I may have Seasonal Affective Disorder. Or I may just not be getting enough sleep. Either way, I’m at a crossroads in my life (as I am like, once a year or so) and therefore should use the New Year to get things organized.

Here are my resolutions:

1. No more soda.
2. Write every day.
3. Cook more meals.
4. Go to sleep – if possible – before midnight on weekdays.
5. Resume working out. (By resume, I mean resume from when I stopped back in high school.)
6. Stay in touch.
7. Go out more, or else die of loneliness and despair.
8. Be more active in getting rich and famous.
9. Get into a routine.
10. Audition for The Amazing Race.

I hate New Years. Ugh. But I love new years. You know?

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I’m an OLD MAN

Well, another day went by and all of a sudden I’m 24 years old.

Orson Welles was my age when he made Citizen Kane, so I gotta get started ASAP.

The trick, I think I’ve finally figured out, is to not feel like there’s some moment up ahead in the near-future where I’ll have enough time or dedication or whatever to work work work on the projects I want to work on. No more saying, “As soon as things calm down, I’ll finish that play and also audition more and also eat healthier and keep my room clean and meet a nice lady and finally, finally audition for The Amazing Race, but right now things are too busy with work and rehearsals and so they’ll have to wait.”

No, it’s become clear that this is what life is. It’s busy. And I’m lucky that it’s busy. I just gotta be efficient with my time and get myself motivated. Blah blah blah, this blog post is BORING me.

Here are some exciting things in my near-future, distant future, and near-past:

1. I had my first real voiceover audition. It was great, though I didn’t get the part. I’m infinitely more comfortable doing these than on-camera commercial auditions. I just feel like I have so much more control over things. Like the part is mine if I want it. Just me and my voice, man. All those physical things I can’t control don’t even play into it. Just glottal fries and sibilant consonants, and stop-plosives. The casting director gave me her card, and I’m gonna take some one-on-one classes and eventually get a reel put together.

2. AGGROCRAG rehearsals are really taking off. Can’t wait to see what this show turns out to be.

3. Our Farm is back on! We’re heading to Philly in about two weeks. I’m nervous, excited, all that good stuff. I think it’s a really good show, and I can’t believe I’ve been working on it for something close to two years or more.

4. I really love my job. It’s good to be back at Playwrights. The office is a great environment, and I absolutely loved my time in class with the Acting Practicum. The show turned out really well and I’m excited to work with my first-year directing teacher next semester.

5. Andrew Farmer and I wrote a short musical to be performed by the PHTS Music Theater Practicum and we saw a workshop performance of it last night. It was really, really great. It gets a full production next semester and I’m really excited about it.

Last night, my friends put on a concert. I wish I could sing, but it’s mostly okay cause I can just listen to their pretty music and it’s almost like I don’t need to. I have the most talented friends.

Next up, my best friend and I are gonna be on The Amazing Race. Just you wait.

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